Please keep in mind characteristics like space layout change from exhibition-to-exhibition and the space available

Description
The exhibition consists of a set of ceramic and metal objects. When activated, these objects gain the dimensionality of musical instruments.
Authors
Filipa Antunes
Synopsis
The notes wander without a defined tonal home, exploring soundscapes that challenge the boundaries of familiar harmony. The chords intertwine in a tumultuous dance of tension and resolution, creating a sonic composition that defies expectations and leads us to explore new horizons of musical expression.
Thus, while the chords resonate in a chorus of possibilities, oppressed peoples struggle to find their own voice. It is a dance of resistance and hope, where silenced notes find an echo in the songs of freedom and equality, where the scars of the past are transformed into melodies of renewal and redemption.
Spread across various regions of Brazilian territory, the Tupi tribes reveal a fertile linguistic and musical heritage. Known for their skill in agriculture, ceramics, and weaving, the Tupis also developed a unique musical style, marked by melodious singing and engaging rhythms. Their musical traditions reflect not only a deep connection with nature and the surrounding environment but also aspects of their spirituality and community life. Tupi songs are a vibrant expression of the identity and history of these peoples.
Although often documented in limited ways, the musical traditions of the Tupi tribes suggest a unique approach to the sound that resonated within their communities. Atonality, characterized by the absence of a defined tonal center or conventional tonal patterns, is an intriguing characteristic of these musical expressions.
By exploring atonality, the Tupi challenge traditional musical structures, creating compositions that transcend the boundaries of conventional harmony. This bold approach not only reflects the creative freedom of these peoples but also suggests a strong connection to the natural rhythms and everyday sounds of life in the forest. Atonality in Tupi songs is not merely a technical feature but a reflection of the complexity and diversity of human experience embedded in Indigenous Brazilian music.
Date
2024
Technical Characteristics
Objects:
Ceramic and iron objects.
Dimensions: 15 cm × 8 cm each instrument.
Assembly and Equipment:
4 speakers
4 lapel microphones
1 sound card
1 compact mixer
Object placement in the space: 
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